1993 Archives - Frank Sinatra Dedicated Blog

Come Rain Or Come Shine

By Ozgun Akalin|2017-06-10T00:19:34+03:00December 30th, 2012|Categories: Songs|Tags: 1946, 1961, 1962, 1993, Album, Come Rain or Come Shine, Don Costa, Duets, Frank Sinatra, Gloria Estefan, Harold Arlen, Johnny Mercer, Musical, Ray Charles, Reprise Records, Sinatra and Strings, Sinatra! The Song Is You, St. Louis Woman, Tommy Dorsey, What Did Frank Sinatra Say?, Will Friedwald|

Come Rain or Come Shine, a beautiful song that Frank Sinatra really liked to sing, was written by Harold Arlen in 1946. Johnny Mercer wrote the lyrics for Come Rain or Come Shine, and it was for the musical St. Louis Woman. In fact, whole music of this musical was by Harold Arlen and Johnny Mercer. The recording was first made by Tommy Dorsey‘s Orchestra in 1946, and many singers, including Frank Sinatra, recorded or sang this song later. It became a standard then.

Frank Sinatra sang Come Rain or Come Shine many times through his career, firstly via radio broadcasts, then in his albums. He first recorded the song on November 22, 1961, for his album “Sinatra and Strings”, which was released in 1962 and was arranged by Don Costa. In 1993, Frank Sinatra recorded Come Rain or Come Shine for his “Duets” album, and Gloria Estefan sang a part of it.

When Sinatra was singing at Caesars Palace, and was singing Come Rain or Come Shine, Don Costa was noted to say: “That’s still the best chart I wrote”. Will Friedwald, writer of “Sinatra! The Song Is You”, says: “The Sinatra-Costa “Come Rain or Come Shine” may well be the collaboration’s masterpiece, effectively combining the high drama of grand opera with the pure power of blues.”

Come Rain or Come Shine is really a piece of work, with its amazing orchestration. Ray Charles’ version is also worth mentioning, and could be perceived as better than Sinatra’s.

Below is a beautiful performance of Frank Sinatra, singing Come Rain or Come Shine.

What did Frank Sinatra say about Come Rain or Come Shine?

Frank Sinatra: This is a wonderful song by Johnn Mercer, arrangement by Don Costa. (1981 Argentina)

Frank Sinatra: This is a lovely song by Johnny Mercer, and Don Costa’s orchestration. I love this song. (1991/09/21 – Italy)

Frank Sinatra: Great song by Harold Arlen, Johnny Mercer. Orchestrated by Don Costa. I love to sing this song. Great song. (Live at Meadowlands)

Frank Sinatra: Good song by Harold Arlen, and Johnny Mercer. Don Costa’s orchestration. One of my favourite songs. (1993/ November 21, Foxwoods Casino)

Frank Sinatra: One of my favourite songs. I probably have 10 or 12 songs and there are thousands of them. This one is by Harold Arlen and Johnny Mercer, orchestrated beautifully by the late Don Costa. For you, from me. Wonderful song, I love it. ( 1990/12/12 Meadowlands)

Frank Sinatra: I love singing it, it is a fine song. (1993/06/02 Hamburg, Germany)

Frank Sinatra: One of my favourite songs of all times. (1983/11/28 Nassau Coliseum)

Frank Sinatra: I like this song, almost more than any other song I have ever sang. Mr. Harold Arlen and Mr. Johnny Mercer, wonderful orchestration by Don Costa. (1985 Japan Concert)

Frank Sinatra: This is something by Johnny Mercer and Harold Arlen, and Don Costa’s
orchestration. This is an absolute statement coming from me to all of you
because the fact that you come to spend an evening with me. (September 28
1991, Oslo)*

Frank Sinatra: This next song is a marvelous song written by two of the great song writers, I speak of Harold Arlen and Mr. Johnny Mercer. And they wrote many many wonderful songs together. THIS one is very special to me. Wonderful arrangement by Don Costa. (August 20 1982, Dominican Republic)*

Frank Sinatra: This song was written by Charlie Chapman and Tom Mix, I don’t even know this. Harold Arlen and Johnny Mercer, and orchestrated by the great Don Costa. Good song. This is from me to you, everywhere. (April 24 1994, Radio City Music Hall)*

Frank Sinatra: If I had to choose from 50 songs or 100 songs that we know, most of us know, this one would be included at all times. It was written by Harold Arlen and Johnny Mercer, great team. And also orchestrated by a brilliant man named Don Costa. And this is directly from me to you. (October 9 1991, The Point)*

Frank Sinatra: This is a marvelous song, I like singing this one. (December 19-20 1994, Fukuoka Dome)*

Frank SInatra: This could be one of the finest pieces of popular music ever written, in spite of the wonderful tunes we have. Harold Arlen and Johnny Mercer, and Don Costa did the orchestration. (December 30 1993, MGM)*

Frank Sinatra: Johnny Mercer and Harold Arlen wrote this one. Arranged by Don Costa, one of my favorite songs of all time. Great song. This is dedicated to all of you in this room. (March 20 1984, Veterans Memorial Coliseum)*

*Special thanks to Michael Wind for his contributions regarding what did Sinatra say about Come Rain or Come Shine.

I’ve Got You Under My Skin

Here’s a truly masterpiece, an awesome jazz piece, I’ve Got You Under My Skin. Written in 1936 by Cole Porter, it was not perfect till Nelson Riddle’s rearranged this song. Sinatra included this song in his album Songs For Swingin’ Lovers (1956), and it was a huge hit. From then on, I’ve Got You Under My Skin was to be a song he would sing all his life.

“…It took twenty-two takes of Cole Porter’s “I’ve Got You Under My Skin” to satisfy the singer. Sublimely erotic, this recording is the turning point in the Sinatra-Riddle epoch, the pivot on which all future Sinatra efforts would hinge. Ironically, it almost never came to pass, as it was added to the list of tunes for the Songs for Singin’ Lovers album shortly before the session at which it was recorded. In the forty-plus years since its waxing, the recording has become one of the most studied and admired Sinatra performances of all time…”

[Sessions With Sinatra]

Frank Sinatra was to re-perform I’ve Got You Under My Skin in 2 other albums later, in Sinatra’s Sinatra (1963) and Duets (1993) with U2’s soloist bono. Except the version with Bono, in which Bono can be considered as having ruined the song, it is very hard to find a bad version of this song. Mr. Sinatra included I’ve Got You Under My Skin in his concerts great many times, making it hard to count. And every time, he was legendary. The orchestration is very rich and highly enjoyable with a trombone solo, and Sinatra’s shouting “Don’t you know you fool, you never can win”, and stopping at a point and re-singing the chorus starting with “I would sacrifice anything…” makes it perfect.

What did Frank Sinatra say about I’ve Got You Under My Skin?

Here’s something that I don’t like leaving out because it’s a classic. And its arrangement is a classic.( 1976-05-10 Grand Ol’ Opry)

This is a Cole Porter Song. Great Song (Sinatra ’57 In Concert)

Nelson Riddle’s most identifiable orchestration I believe this would be. It’s bigger in Japan than it is here. (?,?)

Oh, here’s something we can’t leave out when we do a performance. Cole Porter’s shining hour and Nelson Riddle’s, at his best. (Main Event)

Ah! Here’s an old chestnut we can never leave out of program because people I think, sometimes we get letters say why didn’t you do it or you didn’t sing that song. This is a Cole Porter and Nelson Riddle’s wonderful orchestration, the song you know well. (Dublin, 1991)

Nelson Riddle and Cole Porter, something we never leave out. (Caesar’s Palace, 1975)

Ah, here’s a beauty. (?, 1973)

This is one of the best of Mr. Cole Porter and Mr. Nelson Riddle’s arrangements. (White House, 1973)

Cole Porter, My Way of Nelson Riddle (Royal Festival Hall, 1971)

Cole Porter and Nelson Riddle, this is a must! You don’t do this, you get hate letters. (1980-07-07 Universal Amphitheater)

Here’s a wonderful version of I’ve Got You Under My Skin from A Man and His Music.

I’ve Got You Under My Skin might not be as widely known as My Way, Strangers In The Night or New York New York, but surely it is known by almost everyone that knows Frank Sinatra, and I might add this is one of his greatest songs of all times.